The artist Andrei Loginov captures the ephemere in three-dimen-sional images. Talking to me about the question how music could be condensed in a picture, we developed the idea to visualise the ballistics of the violin bow.
This makes it possible to receive VISUAL SIGNATURES from past times. For this purpose, the project uses a selection of musical ex- cerpts from four centuries.
The illuminated bow is photographed using lenticular photography, the sound is recorded. In the lenticular print, a three-dimensional effect is achieved. The recorded audio can be retrieved via QR-Code, or alternatively be installed together with the image, if the surroundings allow to do so.
This way, a musical fragment is transformed into a sculpture of light and sound.
ABOUT VISUAL SIGNATURES / AI Podcast
Lisa Batiashvili in the studio in Berlin during production.
​
The filming was done simultaneously with the violin playing, allowing us to capture the precise movements inherent in the music and the musician's unique performance. Ten digitally synchronized cameras, specially prepared for this project, were used for the recording.
Lenticular rendering for further printing
We are working on Visual Signatures with:
Lisa Batiashvili www.lisabatiashvili.com
The Georgian-born German violinist is praised by audiences and fellow musicians for her virtuosity. An award-winning artist, she has developed long-standing relationships with the world’s leading orchestras, conductors, and musicians. In 2021, Batiashvili formed and continues to lead the Lisa Batiashvili Foundation, which serves her lifelong dream and commitment in supporting young, highly talented Georgian musicians to thrive in their musical careers.
​
Sara Ferrández www.saraferrandez.com
Widely acclaimed for her warm, effortless and impeccable sound, Sara Ferrández is fast emerging as one of the most exciting violists of her generation. Despite her youth, Sara has already performed in some of the major concert halls around the globe, including Berlin Philharmonie, Elbphilharmonie,Victoria Hall, L’Auditori in Barcelona or Salzburg Festspielhaus.
​
​
​
The project is supported by the Alexander Tutsek Foundation
​
​